neo sound [離騷]

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http://neosound.blogbus.com/logs/29937704.html

Blind Man and the Sun  
日喻
improvised live soundtracks performed in response video works from chinese and international artists
来自中国与国际艺术家的“即兴音乐／声音艺术与影像”专场
Sunday 19 October 2008 
2008年10月19日 星期日
7pm - 9pm
FREE Ticket 
免费入场
Lecture Theatre, He Xiangning Museum 
何香凝美术馆报告厅
Add: Overseas Chinese Town, Shennan Thoroughfare, Nanshan District,Shenzhen
深圳市南山区深南路华侨城
Metro: Hua Qiao Cheng Station (Exit C)
地铁站：华侨城地铁站C出口
Improvised Live Performances by:     
现场音乐／声音艺术家：
Sin:Ned (HK)
Zen Lu & KLC _NIR(CH)                                
Justice Yeldham (AUS)                        
Video Works by:
影像部分：
Susanne Burner (DE)                            
Huang Xiaopeng (CH)                       
Deer Fang (CH/USA)      

Media Sponsor:Music Radio of Shenzhen Media Group
媒体主办：深圳广播电影电视集团音乐频率FM97.1

                     
Warning: the performances will be extreme, not suitable for children.,Please be prompt.
注意事项：演出不适宜12岁以下孩子观看

-------------------------------------

艺术家资料(aritists bio):

Sin:Ned (黄仲辉)
Sin:Ned (黄仲辉)，乐评人、实验电音及声音艺术创作人。 Sin:Ned 最早出现于香港另类音乐杂志 MCB (音乐殖民地)，擅长以实验性文体及偏险的理论化角度进行音乐论述。除 MCB外，其音乐论述文字亦散见于《号外》、《明报》等不同刋物。其后，更进一步沉迷以计算机软件及各种非正统发声工具制乐。一度是网上音乐共同体Tapegerm之成员，于2003年亦曾出演《香港视野音乐节》 (Sound & Vision Festival) 之Media Jam项目《Survival Kit》。早期创作可见于《Music For Your Beautiful Boy》、《Mondisk》、《MCB200》、Alok的《29 Minutes From The End》及Tapegerm共同体的多款合辑。他的首两张个人作品《Uroborus: A Study On No-input Device》 及 《60 Seconds: A Schizophrenic Manual For Eternity》，均于2006年发表于Lona Records名下。2006年， Sin:Ned与多媒体创作共同体Sleepatwork之主脑巢健威组成概念组合No One Pulse，并分别于香港的Lona Records及中国的Little Sound发表了二步曲实验电音专辑《Tele》及《Pathic》。
www.maitreyana.com
www.myspace.com/sin_ned
Sin:Ned (Wong Chung-Fai), an idiosyncratic writer and a sonic junkie from Hong Kong, hacks and twists anything he can put his hands on. One of the major contributing writers of the legendary Hong Kong alternative music magazine MCB. While not writing as a pseudo-music critic elaborating his esoteric worldview, in the same idiosyncratic fashion, he spends much of his time hacking and sculpting sonic materials with his laptop and various electronic gears. Used to be a member of the internet-based music collective Tapegerm, and had also performed as a sonic improviser in the "Media Jam – Survival Kit" of 03 HK Sound And Vision Festival. Some of his earlier sound works can be found in various releases such as "Music For Your Beautiful Boy", "Mondisk", "MCB200", Alok's "29 Minutes From The End" and several compilations released by the Tapegerm collective. His first two solo works, "Uroborus: A Study On No-input Device" and "60 Seconds: A Schizophrenic Manual For Eternity", were both released by Lona Records in 2006. In 2006, Sin:Ned formed a concept group, No One Pulse, with his long time collaborator Chau Kin-Wai (Sleepatwork), and released first two installments of their experimentation, "Tele" and "Pathic" , under Lona Records (Hong Kong) and Little Sound (China) respectively.

Zen Lu(陆正)
陆正(Zen Lu)，实验电子乐手、声音艺术家、We Play! Records及Neo Sound(离骚)新艺术团体创办人，现生活、工作于深圳。在过去几年间，Zen Lu坚持个人创作之外，还组建和参与了数个本土乐团：2004年加入杨贵妃乐队(Young Crazy，实验电子/工业噪音)，2006年4月组建郑伯伯实验乐团（ZenBOBO，极简/氛围），2006年9月与波兰实验音乐家Grzegorz Bojanek成立跨国音乐合作项目”ChoP”并出版唱片,2007年5月与香港实验音乐家Dickson Dee成立Skybox双重奏。Zen Lu以实验电子音乐和声音艺术创作为主；2007年初主持创立深圳独立音乐厂牌We Play! Records，组织策划演出，与来自世界各地的艺术家演出和交流，为戏剧及短片创作配乐。曾参加香港SAND Festival、香港新视野艺术节、瑞典Clandestino Festival、波兰Moving Closer International New Media Festival以及Chinese Sound Art in Poland、07大声展、07深圳-香港城市/建筑双城双年展。在被认为文化沙漠的深圳，新一波文艺浪潮正在崛起，陆正的创作、他的厂牌和他策划的活动，是其中重要的成分。
www.zenlu.com
www.weplayrec.cn
www.myspace.com/zensound
Zen Lu, experimental musician and sound artist, hosted and founded We Play!Records,and he is the founder of Neo Sound group,is now working and living in Shenzhen,China. In the past few years, while insisting on independent solo composing, Zen Lu founded and joined in several local musical outfits. In 2004, he joined YOUNG CRAZY, and it was there he developed a huge interest in the genres of experimental electronica and industrial noise. In April 2006, he formed ZenBOBO and by that time he has become totally engrossed in composing minimalist/ambient music. In September 2006, he collaborated with Polish experimental musician Grzegorz Bojanek and formed ChoP, from which an album is to come out. In the future series of release of ChoP, two musicians of different nationalities will be invited to join in composing for each release. In May 2007,he founded Skybox duo with Dickson Dee. Zen Lu performed in New Vision Arts Festival(Hong Kong),SAND Festival(Hong Kong), Asia Europe Music Camp and Clandestino Festival(Gothenburg,Sweden), Moving Closer International New Media Festival(Warsaw,Poland),Chinese Sound Art in Poland project(5 cities in Poland),07 Get It Louder Exhibition(Guangzhou ,China), Shenzhen & Hong Kong Bi-city Biennale of Urbanism \ Architecture 2007,etc. Actively taking part both in solo and group composing, Zen Lu has gradually established his another musical personality with his distinctively abstract and visual style of electronic music. Zen Lu also organized experimental music/sound art performance in Shenzhen.

KLC_NIR(刘淳)
刘淳(KLC_NIR), 实验乐手、独立厂牌“GiN”的创办者，现生活、工作于深圳。早年曾组建多支乐队，担任人声与吉他。2007年KLC_NIR开始转向实验音乐/声音艺术领域（氛围/具象/极微/噪音等）进行独立创作及探索。其作品清新隽永，多层次的神秘与静谧的画面，透出浓厚的东方哲学思想。
www.myspace.com/klcnir
klcnir.blogbus.com
KLC_NIR(aka Liu Chun), experimental musician, is now living and working in Shenzhen,China. He started on composing experimental music/sound (Ambient/Concrete/Microsound) independently in 2007. Much of his work presents a mysterious and silent landscape of Eastern philosophic thoughts.

Justice Yeldham
Justice Yeldham是澳大利亚噪音艺术家Lucas Abela的众多化名之一，专为玻璃噪音项目而使用。这个名字意味着世界上最极端、勇敢、简洁和震撼的噪音现场表演。
Lucas Abela从1994年开始活动，最初是以实验唱盘艺人的身份，后来在给大友良英重新混音的作品征集中脱颖而出（他只是把原作CD放在汽车发动机上然后开车进行破坏）。他使用带唱针的手套，用连接声音放大装置的武士刀决斗，利用缝纫机和厨房工具，在公用电话亭狂喊以参加异地的“现场”表演……
他的玻璃项目非常简单：用接触式话筒、单块效果器、锋利的玻璃表演和他的脸。他总是因此受伤流血，而演出时间也经常短到只有几分钟（往往取决于玻璃是否过早破碎）。
为全新的观众表演，是Lucas的首要意愿，因为他最喜欢的观众是未经开发的、没有经验的。为了接触到澳大利亚有限的表演机会以外的新鲜灵魂，他在全世界展开了巡演——欧洲、北美、亚洲和中东的30多个国家。他因此参加了许多新音乐节，例如：Turnament（洛杉矶，2003）、Ideal（哥腾堡，2004），Transmediale（柏林，2004）、LEM（巴塞罗那，2004）、Liverpool Biennial（利物浦，2004）、No fun（纽约，2005）、Unsound（克拉科夫，2005）、LUFF（洛桑，2005）、electrograph（雅典，2006）
www.myspace.cn/justiceyeldham 
现场视频、图片和更多信息：http://dualplover.com/justice.htm
What's been described as "a trumpet player trapped in a two dimensional universe" is in fact the unique audio work of Justice Yeldham, a maverick musician with an unhealthy obsession with sheets of broken glass. By pressing his face and lips against the glass whist employing various vocal techniques ranging from throat singing to raspberries, he turns disguarded household windows into crude musical instruments. Resulting in a wide variety of cacophonous noises that are strangely controlled and oddly musical.
Justice Yeldham is the latest alter-ego of Australian sound performer Lucas Abela, whose past sonic experiments were conducted under monikers like A Kombi, Dj Smallcock & Peeled Hearts Paste. Initially classed as an experimental turntablist, although his early work rarely resembled anything in the field. Early feats, saw him stab vinyl with Kruger style stylus gloves, bound on electro acoustic trampolines, drag race the popemobile across Sydney Harbour Bridge, perform deaf defying duet duels with amplified samurai swords, hospitalised by high powered turntables constructed from sewing machine motors, record chance John Peel sessions with the Flaming Lips, & be Otomo Yoshihides' favourite entry into his Ground Zero remix competition; 'Consummation' even though instead of sampling the CD he destroyed it using amplified skewers!
He also founded and runs dualpLOVER (recording label, cd/dvd replicators, distributor and promoter of gigs and tours). Principally a live audio artist he’s been performing professionally for the past 14 years, ever since Oren Ambarchi and Robbie Avenaim stumbled across his late night radio performances in 1994 and asked him to play their 2nd What is Music? Festival. Since he's toured the world extensively, performing in well over 30 countries.

Susanne Bürner
1970 born in Ellwangen/Jagst, Germany
Lives and works in Berlin, Germany
Education
1993-1998 Medienkunst, HfG Karlsruhe
1998-1999 Masters Program Fine Arts, UCLA
Grants
2006
Künstlerinnenprogramm, Senate of Berlin, grant
Villa Arson, Nice, France, residency
2004-2005
Kunstfonds Bonn, stipend
2003-2004
Karl Schmidt-Rottluff, stipend
2002
Art 3, residency from the Bundesland Baden-Württemberg and from the Région Rhône-Alpes
in Valence, Frankreich
2000 - 2001
residency at Akademie Schloss Solitude Stuttgart
1998 - 1999
visiting scholar in the Graduate Program Fine Arts at UCLA Los Angeles, California, USA
(stipend from Studienstiftung des deutschen Volkes)
1997 - 1999
stipend from Studienstiftung des deutschen Volkes, Bonn
Solo Exhibitions
2007
50.000.000 CAN’T BE WRONG, supportico lopez 32, Naples, curated by Gigiotto del Vecchio
2005
finistère, Galerie Giti Nourbakhsch, Berlin
Songs from out there, Sassa Trülzsch, Berlin
2002
Dissolve, Galerie Giti Nourbakhsch, Berlin
2001
Galerie Borgmann Nathusius, Cologne (with Gary Ward)
Räume, Akademie Schloss Solitude, Stuttgart
2000
Galerie K & S Berlin (with Daniel Roth)
Fotografie, Galerie Karlheinz Meyer, Karlsruhe (with Barbara Trautmann and Günther Förg)
1999
Trees, Galerie Karlheinz Meyer, Karlsruhe (with Candida Höfer)
Trees, Graduate Studios UCLA Culver City, Los Angeles, USA
Group Exhibitions
2007
Prague Biennial, Prague
searching for an ideal urbanity, Akademie Schloss Solitude Stuttgart
EARTH?, Galerie Giti Nourbakhsch. Berlin
I’m Future Melancholic, tank.tv, Tate Modern, London, curated by Anne-Sophie Dinant
Abstraction, surface, air, Georges, Centre Georges Pompidou, Paris, curated by Nicolas Tremblay, bureaudesvideos.com
2006
11. Rencontres Internationales Paris Berlin, Paris
Klinik — a Pathology of Gesture, Hebbeltheater, Berlin, curated by Anselm Franke and Hila Peleg
Pulsar, Periférico Caracas, Venezuela
Busan Biennale, Busan, Corea
Nicht weit vom Stamm, Galerie Konrad Fischer, Düsseldorf
Artists make Videos, Goethe Institute Amman, Jordania
Lux, Max Ophüls Preis Festival, Saarbrücken
2005
10. Rencontres Internationales Paris Berlin, Paris
A Haunting, Castlefield Gallery, Manchester
Placements, /Galerie/Store/52°31’52’’,13°22’55’’/, curated by Andrew Cannon
Acid Rain, Glassbox, Paris, curated by Vincent Honoré
10. Videonale Bonn, Kunstmuseum, Bonn
Radiodays, CTP, de Appel, Amsterdam
2004 kurzdavordanach, SK-Kulturstiftung Cologne curated by Wilhelm Schürmann
9. Rencontres Internationales Paris Berlin, Paris
Missing Time, Art Centre Hong Kong, video programme curated by Laurent Grasso
Playlist, Palais de Tokyo, Paris
Zwischenwelten, Oktokogon, Dresden, curated by Constanze von Marlin
2003
Geographies #3, Galerie Chantal Crousel, Paris
Karl Schmidt-Rottluff-Stipendiaten, Kunsthalle Düsseldorf
Night Effect, Carlo’s Depot, Berlin, curated by Eva Svennung (Toasting Agency)
Passages, Art3 Valence, (F) (with Rut Blees Luxemburg und Wendelien van Oldenborgh)
Galerie Giti Nourbakhsch, Berlin
Akademie Schloss Solitude, Stuttgart
2002
A Need of Realism, Solitude in Schloss Ujazdowski, Warszawa, Poland
Golden Week, Kodama Gallery, Osaka, Japan, curated by Eva Svennung (Toasting Agency)
2001
Not At Home, Römerstr. 2, Stuttgart, curated by Gary Ward and Susanne Bürner
Circles No. 5, Montana Sacra, ZKM Karlsruhe, curated by Christoph Keller
CamoShow, Museum Wiesbaden, curated by Alexis Vaillant and Léonor Nuridsany
Papier, Galerie Borgmann Nathusius, Cologne
Collections
B.P.S.22 project, Charleroi, Belgium
Zabludowicz Collection, London
Fondazione Morra Greco, Naples
Collection Wilhelm Schürmann
Deutsche Bank
DZ-Bank
Staatsgalerie Stuttgart
Thyssen-Bornemisza Contemporary Art Foundation
ZKM Karksruhe
www.artnews.org/susannebuerner

HUANG Xiaopeng(黄小鹏)
录像-装置艺术家
1960年生于中国山西，广东汕头人。
1983年，广州美术学院油画系本科毕业。
1992年，英国伦敦大学斯莱德美术学院研究生毕业。
2003年至今，广州美术学院副教授，第五工作室（当代艺术）主任。
展览:
“STABLE-- the balance of power”, PARA/SITE, H.K、
“01数码诗词”，现代书店，
“观察与被观察—2006连州国际摄影节”，北京798
“中国：聚合影像流”，广州
“我们是改变”，广东连州
“积累—广东快车下一站”, 意大利米兰Isola 艺术中心
“地域餐桌－第四届长沙当代艺术展”，北京当代唐人艺术中心
“出门必带摄像机—中国录像艺术”，长沙
“十三：今日中国影像”，西班牙马德里ICO博物馆
“染—当代艺术展”，美国纽約现代艺术博物馆P.S.1当代艺术中心
“别样：一个特殊的现代化实验空间，第二届广州三年展”，新加坡国家艺术中心，2005
“开放的教室—第二届广州三年展特别计划”, 广东美术馆
“未来考古学，第2届中国艺术三年展 – 在校实验”，广州信义国际会馆
“广东当代艺术生态1990~2005”，南京博物院
“偷天换日：当.代.美.术.馆”， 深圳何香凝美术馆
台北当代美术馆“广州七巧板”，广州海珠区双子星城。
Huang Xiaopeng is a video/installation artist. Currently he lives and works in Guangzhou.
1960, Born in Shanxi, China.
1979-1983: BA. Guangzhou Academy of Fine Art, China.
1990-1992: MA. The Slade School of Fine Art, University College London, UK.
2003-2006: Associate Professor, Head of the 5th studio(contemporary art), Guangzhou Academy of Fine Art, China.

Deer Fang(方鹿)
方鹿是以录像为主要媒体的当代艺术工作者，现工作与居住在中国和美国。她的早期艺术项目通过制作过程的参与性、实时性、社交性和即兴表演，探索影像在艺术制作中的状况和其推动性。她近期的作品运用流行文化中的通俗形式来作为文化容器，如真人秀、音乐录像和网络媒体等，去理解我们日常生活和媒体仲文化与政治的意义。
方鹿于2005年在美国纽约视觉艺术学院获平面设计学士学位，她的导师是Luca Buvoli. 2007年她获美国旧金山艺术学院新类型系颁发的硕士学位，导师包括Tony Labat, Paul Kos 和Okwui Enwezor等。2007年她荣获研究学院的Chauncei Mckeever奖项。同年她与Jon Phillips 创建的Fabricatorz制作组获Southern Exposure的Alternative Exposure基金。她的录像作品和装置曾在纽约，芝加哥，旧金山，伦敦，柏林，广州，巴黎和瑞典等地展出。
www.deerfang.org
Deer Fang is a video artist working in San Francisco and Guangzhou. Her earlier projects investigate the condition of video in art making and the dynamics within the production process through participation, improvisation, real-time and socialization. Her current work uses common formats from popular culture such as the news, reality TV show, music videos, and online videos to dissect culture and political meanings in the media and in our everyday society.